Photofile 62 - Fresh

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Editor: Daniel Palmer

Showcasing a diverse range of emerging photomedia artists from around Australia, Photofile #62 offers a stimulating survey of what's fresh and hot in photomedia art today. Based on the evidence of research in each state and territory, this generously illustrated issue presents a picture of remarkable new talent, including over forty emerging artists, working primarily with still photography, but also with video and digital imaging.

Russell Storer explores the art/fashion nexus, Rhys Graham examines cinematic image space, Stephanie Lindquist discusses memory, Daniel Palmer considers photographs of empty space and Helen Ennis looks back at the nineties, putting the present moment in perspective.

Previews: The best photomedia exhibitions across Australia

Editorial: Daniel Palmer: Do Not Touch Prints

Features:

  • Family, Identity and Memento Mori in Contemporary Australian Photography by Stephanie Lindquist
  • Flaming 8-Ball by James Mellon
  • You/Me by Pippa Wischer
  • A Breath Held, A breath Released: Mise-enscene in New Australian Photography by Rhys Graham
  • Shorts: Alex Cyreszko, Graham Miller, Jason Davidson Hampton, Alex Kershaw, Ricky Cox, Sharon Green, Marzena Wasikowska, Sarah Ryan, Kaye Murphy (Introduction by Daniel Palmer)
  • Keep On Movin' : Fashion Photography That Refuses to Sit Still by Russell Storer
  • Splendid Isolation by Alin Huma
  • The Presence of the Past by Helen Ennis
  • Between Place and Non-Place: the poetics of the empty space by Daniel Palmer
Portfolios:

Alin Huma, James Mellon and Pippa Wischer, with Shorts by Alex Cyreszko, Graham Miller, Jason Davidson Hampton, Alex Kershaw, Ricky Cox, Sharon Green, Marzena Wasikowska, Sarah Ryan and Kate Murphy

Exhibitions:

  • Deborah Paauwe Sugar Nights Review by Maria Bilske
  • PIVOT 5: About Photography Review by Bill Hart
  • Mathieu Gallois Flight 934 - B Review by Kate Rhodes
  • The Photo Technica Award Review by Alexi Glass
  • World Without End: Photography and the 20th Century Review by Tanya Peterson

IMAGE © Darren Sylvester You Got Us Into This. You Get Us Out 2000



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